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"Do you admire our hair? And we are all so heartily tired of it," says the duchess. "Well, tell me more about your own land. Are the women all like you? In style, I mean. I have seen a few, of course, but not enough to describe a whole." Then Jack comes in, and Sir Nicholas, and later on Geoffrey. The short daylight fades; the wind grows higher; the whole scene is curious, and very nearly fantastical. The pretty girl in her clinging satin gown, and her gleaming neck and arms, bare and soft and white, and the tiny lace-fringed cap that crowns her fairness. The gaunt trees branching overhead that are showering down upon her all their fading wealth of orange and crimson and russet-colored leaves, that serve to throw out the glories of her dress. The brown-green sward is beneath her, the river runs with noiseless mirth beside her, rushing with faint music over sand and pebble to the ocean far below. Standing before her is her lover, gazing at her with adoring eyes..
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Mona calls off the dogs. They rise unwillingly, and, walking into a distant corner, sit there, as though still awaiting a chance of taking some active part in the coming fray. After which Mona, in a few words, explains the situation to Geoffrey. "Oh, no," says Mona, gently; "only I should like you better, of course, if you were not the cause of our undoing." "To see poor Kitty Maloney, his widow. Last year she was my servant. This year she married; and now—here is the end of everything—for her." "Indeed, are you?" asks she, raising her pretty brows. Then she smiles involuntarily, and the pink flush in her rounded cheeks grows a shade deeper. Yet she does not lower her eyes, or show the slightest touch of confusion. "I might have guessed it," she says, after a minute's survey of the tall gray-coated young man before her. "You are not a bit like the others down here.".
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